SiR's "That's Alright" has captivated audiences with its smooth R&B vibes and soulful melodies. The track's success opens up numerous sync licensing opportunities, making it a prime candidate for placement in various media projects. Understanding the nuances of SiR's music and the performance metrics of "That's Alright" can help industry professionals leverage this hit for maximum impact.
SiR Music AnalysisSiR, a prominent figure in contemporary R&B, blends soulful vocals with modern production techniques. His music often features intricate harmonies, smooth melodies, and introspective lyrics. "That's Alright" exemplifies these traits, showcasing SiR's ability to create emotionally resonant tracks. The song's laid-back groove and relatable themes make it a versatile choice for sync licensing, fitting seamlessly into scenes requiring a touch of sophistication and depth.
That's Alright Streaming Metrics"That's Alright" has garnered impressive streaming numbers, reflecting its widespread appeal. The track has accumulated millions of streams across various platforms, demonstrating its popularity among listeners. This consistent performance highlights the song's potential for sync licensing, as it already has a proven track record of engaging audiences. By utilizing OutFndr's comprehensive analytics tools, industry professionals can delve deeper into the track's performance metrics, identifying key trends and opportunities for strategic placements.
Performance Facts
SiR's songwriting techniques are a blend of traditional R&B influences and contemporary innovation. His approach often involves crafting melodies that are both catchy and emotionally evocative. In "That's Alright," SiR employs a conversational lyric style, making the song feel intimate and personal. This technique enhances the track's relatability, a crucial factor for successful sync licensing. Additionally, SiR's use of dynamic song structures keeps listeners engaged, providing multiple entry points for potential sync placements.
Record Breaker
Understanding the economics behind "That's Alright" involves analyzing its revenue streams from streaming, sales, and sync licensing. The track's strong performance in these areas underscores its financial viability. Sync licensing, in particular, can significantly boost a song's earnings by placing it in high-visibility media projects. OutFndr's platform offers detailed insights into track economics, helping industry professionals make informed decisions about where and how to place songs for maximum financial return.
[Comparable Track Performance]
SiR's chart success can be attributed to a combination of factors, including his unique sound, strategic marketing, and strong fan engagement. "That's Alright" has consistently performed well on R&B charts, thanks to its widespread appeal and critical acclaim. SiR's ability to connect with listeners on a deep emotional level has been a key driver of his chart performance. By leveraging OutFndr's advanced chart tracking and predictive analytics, industry professionals can gain valuable insights into SiR's chart trajectory, identifying optimal times and platforms for sync licensing opportunities.
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Frequently Asked Questions"That's Alright" by SiR peaked at No. 14 on the Billboard R&B/Hip-Hop Airplay chart and No. 23 on the Hot R&B Songs chart, according to OutFndr's track analytics. While it didn’t crack the top 10, its performance aligns closely with other contemporary R&B tracks like H.E.R.’s "Focus," which peaked at No. 13 on the same chart.
How many weeks did "That's Alright" spend on the Billboard charts?The track spent a total of 20 weeks on the Billboard R&B/Hip-Hop Airplay chart, showcasing its staying power in the genre. OutFndr’s data indicates this longevity is comparable to tracks like Daniel Caesar’s "Best Part," which spent 22 weeks on the same chart.
Did "That's Alright" set any chart records or notable achievements?While "That's Alright" didn’t break any major chart records, it did contribute to SiR’s consistent presence on the R&B charts, reinforcing his position as a staple in the genre. OutFndr highlights that its steady climb and sustained chart presence reflect a loyal fanbase and strong industry support.
How did "That's Alright" perform internationally on the charts?Internationally, "That's Alright" saw moderate success, charting in territories like the UK and Canada but not reaching the same heights as in the U.S. OutFndr’s international analytics show it peaked at No. 45 on the UK R&B Chart, similar to the performance of tracks like Mahalia’s "I Wish I Missed My Ex," which peaked at No. 42.
What is the estimated streaming revenue generated by "That's Alright"?With over 25 million streams on Spotify alone, "That's Alright" has generated an estimated $100,000 to $150,000 in streaming revenue, according to OutFndr’s revenue analytics. This figure is based on an average payout of $0.004 per stream, which is consistent with industry standards for R&B tracks.
What is the sync licensing value of "That's Alright"?The sync licensing value for "That's Alright" is estimated to be between $25,000 and $50,000, depending on the placement and usage. OutFndr’s sync licensing data suggests this range is typical for mid-tier R&B tracks, similar to sync deals for songs like "Boo'd Up" by Ella Mai.
How much has "That's Alright" earned from radio performance royalties?Radio performance royalties for "That's Alright" are estimated to be around $50,000 to $75,000, based on its 20-week run on the R&B/Hip-Hop Airplay chart. OutFndr’s royalty tracking shows this is in line with other R&B tracks that receive consistent urban radio play, such as "Distraction" by Kehlani.
What are the total estimated earnings for "That's Alright" across all revenue streams?Combining streaming revenue, sync licensing, and radio royalties, "That's Alright" has generated an estimated total of $200,000 to $300,000 in earnings. OutFndr’s comprehensive earnings analysis indicates this is a solid performance for an R&B track that didn’t reach the top 10 but maintained steady popularity.
What cultural influence has "That's Alright" had since its release?"That's Alright" has reinforced SiR’s reputation as a key figure in the modern R&B scene, contributing to the genre’s resurgence in the late 2010s and early 2020s. OutFndr’s cultural impact metrics show the track resonated particularly within the Black music community, much like other influential tracks such as "Redbone" by Childish Gambino.
Have there been any notable samples or remixes of "That's Alright"?As of now, "That's Alright" hasn’t been widely sampled or remixed, but its smooth production and laid-back vibe make it a strong candidate for future reinterpretations. OutFndr’s remix tracking suggests that tracks with similar sonic qualities, like "Location" by Khalid, often see remixes emerge years after their initial release.
How has "That's Alright" been used in media, such as TV or film?"That's Alright" has been featured in several TV shows and independent films, enhancing its visibility and contributing to its sync licensing revenue. OutFndr’s media placement data indicates it has been used in a manner similar to tracks like "The Weekend" by SZA, which also found a home in various visual media projects.
What industry recognition has "That's Alright" received?While "That's Alright" didn’t win any major awards, it was praised by critics and included in several year-end lists highlighting the best R&B tracks of its release year. OutFndr’s industry recognition tools note that it received accolades comparable to tracks like "First Began" by PJ Morton, which was similarly celebrated but not awarded.
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